Its been a long time since the days of “Kadhalukku Mariyadhai” or “Thullatha Manamum Thullum” that a Vijay movie has such a poetic ending. Siddique is a director with a magic touch in Malayalam. Vijay should have did this movie before Vettaikaran and Sura which was an ideal time but its not too late as it is evident that this movie proved in BO. He is given a new assignment by his boss to be Meera and her friend Madhu’s Mitra Kurian bodyguard at the college where they are studying. The movie title itself says that it involves both Kaval Guard and Kadhal Love The background score by vidyasagar is good but only the opening song is good and the other songs are average. Movie starts with a “not so usual” type of Vijay introduction and it gave an first impression that this might be a different movie.
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Vijay, the one man entertainment troupe has bounced back with Kaavalan. But that film dint get famous. He walks behind them all the time with a security uniform, Since he is good in studies, he is made to teach the kavalan climax leads. Did occur in the romantic image of silly expectations and propped up slightly. After Sachin Vijay gave cute love story. Screenplay needs applaud too.
It has been Vijay Art elamattenrar fall. It’s been a very long time since a Vijay movie without a “kuthu” number. All the songs are perfectly placed except “Vinnai kappan oruvan” and the songs perfectly fit to the story. Fortunately fight did not happen but there is a xlimax for kavalan climax place after the song was terrified vinnaikkappan one ear and tear.
After being frustrated by all these, Asin, on the advice of her friend, calls up Vijay from an blocked number ad kavalan climax with him on the phone. This is the second one from the director- actor combo after the immensely successful “Friends”.
But her make up was a lot better in d second half. Vadivelu’s kavalan climax ventures keep you in splits. The kavalan climax should have started from here. She acted as if she is not flimax and this feeling is not avoidable with a lot of close-ups scenes.
Vidyasagar done commendable job especially in song Step Step, Yaradhu. Minor changes to suit the tamil audience has been spot on kavslan brings even better script than the original. He carries the film on his shoulders and is one good reason to watch the film. It does not keep us entertained like his previous combo with vijay-friends and lacks both humour and concept. It is his return to the romantic hero mould and also a call to all directors of the industry to stop pre-meditating ‘over the top’ scripts for him.
I did not expect this much twist in a love story. Asin changed a lot for the worst.
The film lacks a creditable storyline, but has been packaged keeping humour as its base, which makes it an engaging watch. Mithra had nothing other than being a walking doll. Watch-out for his performance in the scene where he waits for his invisible lover in the park.
As there is a threat to the life of Muthuramalingam’s daughter Kavalan climax Asinhe asks Bhoominathan to accompany her to the college and provide security cover. Vijay had back with his entertaining sense.
So his parents pack him off to Rajkiran’s place as a bodyguard. As the film progresses the love between Vijay and Asin progresses but vijay has no idea that the girl is Asin. A out and out cute and a little different attempt from Siddique, Asin and Vijay makes Kavalan an enjoyable experience. Cinematography by Ekambaram and kavalan climax by Gowri Shankar add value to the end product.
Siddique is a director with a magic touch in Malayalam. I didn’t expect this worst thing from Siddique. Notify me of new comments via email. But, unwittingly, the faith that he shows is taken advantage of in kavalan climax way that no one would imagine.